SWRT 144 | Plot Problems…Solved!

SWRT 144 | Plot Problems…Solved!

How do you keep your middle act functioning for your plot? How do you avoid ending your story too early? How should you effectively use subplots? And what about tools like the “try-fail” cycle or the hero’s journey? Alida walks us through how to give your characters the perfect level of problems, and the skills to solve them!

SWRT 143 | Starting Again with Leeland Artra

SWRT 143 | Starting Again with Leeland Artra

What caused Leeland’s break from writing? And what is the problem of the allure of the new and different? Why do we struggle to just write the next book in the series? What was the impetus behind Leeland’s return to writing? And what are some tips Leeland has for streamlining your marketing so you can have more time for your writing?

SWRT 142 | Steampunk with Leeland Artra

SWRT 142 | Steampunk with Leeland Artra

What is the Steampunk genre? How real does your science need to be? And does it have to be set in the Victorian era, and in Victorian society? What sort of plot goals should a Steampunk novel have? And what archetypes do you need in order for it to feel Steampunk? Leeland gives us his tips on the perfect mixture to make a Steampunk novel, and how to get started if you are interested in writing one!

SWRT 141 | Workshopping Act I

What can workshopping your novel with an editor do for you as a writer? What are Kathryn’s issues with Act One? And what does your reader truly need to know about your world and characters? Make sure you zoom out and look at the big picture of what you are trying to achieve with Act One.

SWRT 140 | Writing Book Ads Copy with Bryan Cohen

SWRT 140 | Writing Book Ads Copy with Bryan Cohen

How is ad writing different from your book description? How do you avoid creating ad copy that is all the same? How do you get to a really good ad sentence? And how do you convey genre in one sentence?

SWRT 140 | Writing Book Ads Copy with Bryan Cohen

SWRT 139 | The Craft of Writing Book Copy with Bryan Cohen

Why should author’s know how to craft copy for their book? What are the fundamentals? How do you find the number one conflict in your book? And then how do you make it exciting? What is the structure of a book blurb? And where do most author’s run into problems?

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