SWRT 150 | Art in the Time of Corona

SWRT 150 | Art in the Time of Corona

How soon is too soon to talk about something like the Coronavirus in our fiction? And how is the emotional impact of everything that is going on affecting everyone? How can we use this situation to benefit our craft? And what is the role of fiction in times like these?

SWRT 149 | Dark Endings part 2

How does it affect the reader? We explore all sorts of dark endings, including twists, gut punches, and those that leave no hope remaining. The ultimate question you have to ask yourself is how it affects the reader. Because ultimately, if your reader is satisfied, the ending can be as dark as you want it to be!

SWRT 150 | Art in the Time of Corona

SWRT 148 | Dark Endings part 1

What makes an ending dark? And what is the difference between a dark and a negative ending? How do you craft it so that your readers find it satisfying? We explore how some genres rely more heavily on dark endings, and what the difference is between a dark twist and a truly dark ending.

SWRT 147 | Narrative

What is narrative? And why should we care about it? How should you approach your narrative, narrator, and narrative exposition? How does narrative help with mood? And how does voice fit into this conversation? We discuss how the depth of your narrative and voice changes your reader’s experience, no matter the genre!

SWRT 146 | Dressing Your Character

SWRT 146 | Dressing Your Character

Why should you think about clothing and fashion in your story? Is it just part of your world building and setting? How can you use it to illustrate your characters arc? Or your characters flaws and insecurities? What about when everyone is dressed in a uniform? We dig deep into the choices you can make about fashion and how it can affect every aspect of your story!

SWRT 145 | Plot Problems…Solved! part 2

SWRT 145 | Plot Problems…Solved! part 2

How should you mirror your Act one and Act three? And why should they be related? What tools does that help you access? Remember your inciting incident doesn’t have to be one climactic moment, but your protagonist must have a choice! How should you develop your character with plot in mind? And what if you are writing a very interior or quiet journey?

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