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SWRT 130 | The Power of Writing to Change Lives, part 2
Do MPWW writers take emotional risks in their writing? How can we take a page from their book to form supportive writing communities? And how is the Twin Cities Community involved in supporting the program? Has the MPWW program affected the DOC? And what misconceptions does Jen encounter? And finally, we talk about how you can help support this program, and all the work that it is doing!
SWRT 129 | The Power of Writing to Change Lives
What is the Minnesota Prison Writing Workshop? How did it begin? And what is it like to go into a state prison (in MN) and teach writing? What genre does MPWW teach? And how does it help writers? What kind of community has grown out of MPWW’s work within the prison system?
SWRT 128 | PI Novels with Judy Walker
Why did Judy start writing PI novels? And how did her background help with the details? What are some pitfalls to avoid when writing a PI novel? And why is the narrator so important? We dive into the gray zone of legality in a PI novel, as well as how to add complexity, even if your narrator doesn’t have an arc.
SWRT 127 | Inspiration & Activism with Talia Carner
Should you have your theme in mind when you start the book? Is there a formula that Talia follows for her particular books? And how did her writing turn into activism? Talia’s message for all of us is to take advantage of the opportunities that you are given.
SWRT 126 | Inspiration & Activism with Talia Carner
What inspires writers to create a story? How small can that spark of inspiration be? Once you have the inspiration, you must also have the courage to write that story! We talk about how to write your way through a story, with only the destination in mind. And how to correctly use creative license in historical fiction.
SWRT 125 | Fleshing Out Description in Revision
Why is description so important? And why should we focus on it, both in our first draft, and the subsequent ones? How does writing in a flow state change your ability to describe as you draft? How can you revise in description? And when should you step away from your draft in order to craft it? In the end, don’t let lack of description stop forward momentum. You can, and should, fix it later!
SWRT 124 | Talia Carner, part 2
How is the story behind the Third Daughter relevant to today’s world? Why did Talia take the story into the past rather than the present? Did the publisher object to the content of the book? And how can you keep it relatable to the readers, despite the content?
SWRT 123 | Talia Carner, part 1
How did Talia come to be an author? And what inspired her to write The Third Daughter? How did fact and imagination merge? And what sources did Talia find to flesh out the Third Daughter?
SWRT 122 | Building Religion into Your World
Why should we talk about world-building with religion? Should your characters have a belief system? And how can you use it to create rich depth for your world and your character motivation? How should you present it in your work? And how can you make it natural to your world and your characters?
SWRT 121 | The Power of the Endnote
What is an endnote and why are we talking about it? How is it different from a resolution? Or the end of a scene or chapter? How can you use a “full circle” moment to really make your endnote powerful? And why should you craft it before you even get to the end of your story?
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About the Hosts
Matt is the author of The Auriga Project, a scifi thriller, Scrivener Superpowers, a how-to book for writers, and the forthcoming Tales of the Republic, a serialized novel set in a specualtive future. He also founded the Indie Author Society, an organization that offers community and support for indie authors. When he’s not bending words to his will, Matt likes to climb mountains, throw a frisbee for his Boxer mutt, Elsa, and travel to expand his mind. Learn more about him and his books at www.mgherron.com.
