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SWRT 020 | Setting
How is setting different from world building? What do you put on the page and what should you leave out? How much detail is too much detail? And how do you keep your setting active in your story? Robert gives great practical ways to evaluate your style of writing setting, and how to make it better!
SWRT 019 | Trouble
What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.
SWRT 018 | Naming
At what point does a character or place earn a name? How do naming and significance relate? And how do you keep nameless characters descriptors from becoming boring or repetitive? And what about real world places? Is there such thing as a short cut? And finally we commiserate about the difficulty of naming characters. We all just want them to sound awesome!
SWRT 017 | Genre Series: Literary Fiction with Mike Stop Continues
How do you define literary fiction? And is there a value judgment between literary and genre? Is literary just a feeling or can we measure it? And how can you make your own novel literary? Want to pick up a literary book – we’ve got plenty of examples for you to choose from!
SWRT 016 | Cliffhangers
What is the difference between a cliffhanger, an end hook, and an ambiguous ending? And what about cliffhangers within books versus at the end? How can you avoid cliffhangers within a series? And what does the reader actually want at the end of the book, story, or part in a serial?
SWRT 015 | Fantasy Adventure with Alina Sayre
What makes a fantasy a fantasy? Can you combine fantasy with other genres? What are the main things that go into a fantasy novel? And what are reader expectations of your world and characters? And what are some pitfalls you need to avoid as a fantasy writer?
SWRT 014 | Foreshadowing Redux with Mike Stop Continues
Since our last conversation about foreshadowing created more questions than answers we decided to try again! Here we lay down a solid definition of foreshadowing and talk about why you want to do it, and how to do it well. What elements in your story can foreshadowing be used in? Does it require hindsight? And are you opening loops? Or providing answers to questions the reader hasn’t even thought to ask?
SWRT 013 | Plotting Science Fiction with Chris Fox
How important is the science in science fiction? What are some conventions of science fiction? And when should you break them? How can you use names to bridge the familiar and unfamiliar? And are there any genres you can’t mash in with science fiction?
SWRT 012 | Foreshadowing
As a writer, do you consciously try for foreshadowing, or is it a miraculous surprise? What feeling should foreshadowing give the reader? And what are the differences between foreshadowing, laying clues, or layering plot elements? What truly is the nuance of this portion of the craft, and is it okay that all of us have different definitions?
SWRT 011 | Openings – Reading/Reacting
We take a deep dive into three sample openings from literary novels. Want to know what your readers latch on to? How do you deliver a strong character in just a few paragraphs? And can you telegraph what your story is about in such a small space? What are the most important elements of an opening? And do we want to keep reading?
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About the Hosts
Matt is the author of The Auriga Project, a scifi thriller, Scrivener Superpowers, a how-to book for writers, and the forthcoming Tales of the Republic, a serialized novel set in a specualtive future. He also founded the Indie Author Society, an organization that offers community and support for indie authors. When he’s not bending words to his will, Matt likes to climb mountains, throw a frisbee for his Boxer mutt, Elsa, and travel to expand his mind. Learn more about him and his books at www.mgherron.com.
