How do we address character motivation? Do we struggle with it? When do we work it into our stories? How can you get to know your character better in order to develop that motivation? What are the three layers of motivation? And how do you plan for your characters motivation over a series? What happens when your character has competing motivations?
What does “show, don’t tell” actually mean? And how is it misleading? How should you use narrative summary to your benefit as a writer? Do you need scene breaks? And how do you make your telling showy? How present is your narrator? And what are the dangers of losing your narrator in a first-person point of view?
Why do first encounter stories fascinate us? What sort of problems are typical in first encounter fiction? How does it make us deal with our own humanity? And how can you use first encounters outside of its typical alien invasion genre?
What is the difference between hard and soft magic systems? How does it apply to science fiction as well as fantasy? What are some pros and cons of the spectrum? How do you avoid deus ex machina with all powerful magic systems? How do you incorporate consequence into your systems? And where do we fall on the sliding scale?
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
