What is the third person point of view and why is it so popular? How do you use multiple points of view in the third person? And what are the pitfalls that authors encounter? How do you know if a character has earned their point of view? And whose point of view should your next scene be written in?
What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.
What is a soggy middle? And what kind of writers tend to have problems with it? Are you giving your middle the attention and care it deserves? And what makes a soggy middle after all? After some much needed middle shaming we all agree – do not tolerate a soggy middle!
I explain how writers can fool themselves into thinking they’re writing in scene, when they’re really writing summary. It’s both simpler and trickier than you think. Ready to pull the wool from your eyes? Have a comment? Want to share your...
I discuss the problem with leaving your story in your head. It makes the reader do some of your work for you. How do you know when you’ve left too much off the page? And what can you do about it? Have a comment? Want to share your thoughts? Please...
I'm Alida I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
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