SWRT 128 | PI Novels with Judy Walker

SWRT 128 | PI Novels with Judy Walker

Why did Judy start writing PI novels? And how did her background help with the details? What are some pitfalls to avoid when writing a PI novel? And why is the narrator so important? We dive into the gray zone of legality in a PI novel, as well as how to add complexity, even if your narrator doesn’t have an arc.

Writing as a Priority

Writing as a Priority

Priorities are a way to set guideposts for a life well-lived.That’s well-lived personally defined. Writing is my declared priority; therefore, I had better be writing no matter the kind of life I’m having. Yet it is sometimes difficult to live up to that declared...
SWRT 127 | Inspiration & Activism with Talia Carner

SWRT 127 | Inspiration & Activism with Talia Carner

Should you have your theme in mind when you start the book? Is there a formula that Talia follows for her particular books? And how did her writing turn into activism? Talia’s message for all of us is to take advantage of the opportunities that you are given.

SWRT 127 | Inspiration & Activism with Talia Carner

SWRT 126 | Inspiration & Activism with Talia Carner

What inspires writers to create a story? How small can that spark of inspiration be? Once you have the inspiration, you must also have the courage to write that story! We talk about how to write your way through a story, with only the destination in mind. And how to correctly use creative license in historical fiction.

SWRT 125 | Fleshing Out Description in Revision

Why is description so important? And why should we focus on it, both in our first draft, and the subsequent ones? How does writing in a flow state change your ability to describe as you draft? How can you revise in description? And when should you step away from your draft in order to craft it? In the end, don’t let lack of description stop forward momentum. You can, and should, fix it later!

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