Why do you want to evoke emotions in your reader? And what are some nuts and bolts ways to make that happen? Remember to stick to the basics, to structure your emotional payoffs, and that even emotions deserve an arc. We talk about how to handle this with tension and release, your character’s arc, and offsetting it from your physical climaxes. Don’t stray into melodrama, and keep that emotional pull all the way to the end of your novel!
How do you define a stories theme? And should you start with a theme or let it develop naturally? We talk about how you can use the theme as a revelation, as well as how it connects readers to authors. Use theme as a layer of your story, balanced with the rest of your elements. And finally, Alida challenges us to write a story to a theme!
What should you do with dialogue heavy passages? How can you break it up? Should you worry about it in the first draft? What are revision techniques to catch your dialogue heavy sections? How can you approach teaching your character? What are some techniques to layer in information? And how do you use them correctly? The most important thing is to focus on what you want to achieve, and figure out how best to communicate that with your reader.
How do we address character motivation? Do we struggle with it? When do we work it into our stories? How can you get to know your character better in order to develop that motivation? What are the three layers of motivation? And how do you plan for your characters motivation over a series? What happens when your character has competing motivations?
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
