SWRT 001 | Dialogue | How it’s different from speaking; how it advances your story
How is dialogue in fiction different from real life? When should you use exposition versus dialogue? And how do you use your dialogue to move your story forward? When do you use dialogue to communicate information or explain things? And when should you shy away?
SWRT 33: How to End Your Story
How do you know when to end your story? And how do you deliver your ending in a way that leaves readers thinking about your story and character for days? Be deliberate about what you leave unresolved, and don’t let that ending be disappointing! Above all make sure your protagonist takes center stage. And don’t be fooled by our decoy endings.
Flash Tip: Ups & downs
This week, I talk about the importance of ups and downs in your plot, for your protagonist and your reader! Don’t take the “try-fail cycle” totally to heart, because ss in life: you win some; you lose some. I explain why your hero should win...SWRT 25: Trouble
What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
