SWRT 123 | Talia Carner, part 1
How did Talia come to be an author? And what inspired her to write The Third Daughter? How did fact and imagination merge? And what sources did Talia find to flesh out the Third Daughter?
How did Talia come to be an author? And what inspired her to write The Third Daughter? How did fact and imagination merge? And what sources did Talia find to flesh out the Third Daughter?
What is an endnote and why are we talking about it? How is it different from a resolution? Or the end of a scene or chapter? How can you use a “full circle” moment to really make your endnote powerful? And why should you craft it before you even get to the end of your story?
What did we find when we set out to find great sentences? Is it all about the grammar? We talk about the categories a sentence can fit into, and why looking at the paragraph and sentence level is so important in your writing. We look at a couple of sentences from The Passion and Unaccustomed Earth. FInally, we talk about long sentences, poetic sentences, and use of metaphorical sentences to spice up your writing!
Kathryn explains an exercise in pre-writing she has been using to deepen her character arcs and relationships within her novel. We explore how it would affect sub-plots, character relationships, and arcs. What problems could this help you avoid? And how could you use it to develop your antagonist as well? We talk about how Kathryn got into this kind of development, and whether or not it would work for every kind of story!
How did Nico get into writing fantasy? And what is the history of this genre? How would you write a classic fantasy story today? And should you have a distinct good versus evil plot? We dive into types of fantasy stories, starting with the Portal/Quest fantasy and how to immerse your reader, without losing them!