Why is description so important? And why should we focus on it, both in our first draft, and the subsequent ones? How does writing in a flow state change your ability to describe as you draft? How can you revise in description? And when should you step away from your draft in order to craft it? In the end, don’t let lack of description stop forward momentum. You can, and should, fix it later!
How did Talia come to be an author? And what inspired her to write The Third Daughter? How did fact and imagination merge? And what sources did Talia find to flesh out the Third Daughter?
What is an endnote and why are we talking about it? How is it different from a resolution? Or the end of a scene or chapter? How can you use a “full circle” moment to really make your endnote powerful? And why should you craft it before you even get to the end of your story?
What did we find when we set out to find great sentences? Is it all about the grammar? We talk about the categories a sentence can fit into, and why looking at the paragraph and sentence level is so important in your writing. We look at a couple of sentences from The Passion and Unaccustomed Earth. FInally, we talk about long sentences, poetic sentences, and use of metaphorical sentences to spice up your writing!
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
