Welcome back Robert! Since Robert just got back from a recent trip, we dive into the idea of travel. Are we travelers? And how far do you have to go to refresh your writing brain? What if you can’t afford to travel? And should your travel involve writing? What are the benefits of breaking out of your routine? And how should you record your travel for later?
How do you make writing interesting to kids? How can you evaluate any kind of writing to make it better? And how do you get anyone, regardless of their age, excited and passionate about creating great writing? We explore six traits of writing, how to find your writing territory, and the importance of publishing your work.
What is a character arc? What are the three kinds of character arcs and four main components of a character arc? How can you use Maslow’s hierarchy of needs to help with pre-writing? And how present does your characters wound need to be? Should you state it outright? Or should you weave it into the narrative? How many of your characters need wounds? And how can it affect your antagonist? Finally we discuss the details of finding your wound, and what it might do to your character.
We sit down with Becca Puglisi to talk all things Emotional Wounds, and other writing resources. We talk about the resources she has for writers, and how they can be used in a wide range of applications. How can we use them to help show rather than tell, and make your writing richer and more immersive? We talk about writing challenging personal things, how to use character growth to challenge readers and why context is so important. And what is the difference between a villain and protagonist?
What is a high concept idea? And do you need one in order to write? Should you build your story around your theme or let it emerge through your story? And what about writing to genre conventions? We talk about what inspires us, how to write in and out of the box, and shut down that voice of resistance in your head!
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
