What is a premise and how elaborate does it need to be? Does a premise limit your imagination or story? How do you know if you have a full premise, or just a piece of the story? And how long should you work on that premise?
How do you define a stories theme? And should you start with a theme or let it develop naturally? We talk about how you can use the theme as a revelation, as well as how it connects readers to authors. Use theme as a layer of your story, balanced with the rest of your elements. And finally, Alida challenges us to write a story to a theme!
What drew Emma to historical fiction, and what is it’s allure? How important is your motivation for writing, and what you are trying to communicate to your reader? How does theme drive your story? Emma explains some ways she uses structural tools to make her writing better. And finally, we talk about the trap of authenticity in our writing.
Why do first encounter stories fascinate us? What sort of problems are typical in first encounter fiction? How does it make us deal with our own humanity? And how can you use first encounters outside of its typical alien invasion genre?
What is the difference between hard and soft magic systems? How does it apply to science fiction as well as fantasy? What are some pros and cons of the spectrum? How do you avoid deus ex machina with all powerful magic systems? How do you incorporate consequence into your systems? And where do we fall on the sliding scale?
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
