What is the Steampunk genre? How real does your science need to be? And does it have to be set in the Victorian era, and in Victorian society? What sort of plot goals should a Steampunk novel have? And what archetypes do you need in order for it to feel Steampunk? Leeland gives us his tips on the perfect mixture to make a Steampunk novel, and how to get started if you are interested in writing one!
What can workshopping your novel with an editor do for you as a writer? What are Kathryn’s issues with Act One? And what does your reader truly need to know about your world and characters? Make sure you zoom out and look at the big picture of what you are trying to achieve with Act One.
Why should author’s know how to craft copy for their book? What are the fundamentals? How do you find the number one conflict in your book? And then how do you make it exciting? What is the structure of a book blurb? And where do most author’s run into problems?
How did 2019 go in our writing lives? And what lessons have we learned about how we have balanced, or failed to balance, our writing with our life? How can you shift your perspective from the outputs to the inputs? And how can we achieve that balance where our lives feed our creativity, and our creativity our lives?
Has Alina refilled her creative well, or recharged her creative batteries? What would she advise those of us who need to find that balance in our lives? How do we write out of our own experiences? And how do we go out and get more of those experiences?
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
