Show, don’t tell! Don’t think, feel, and wonder your way through a manuscript. Dig deep! Use that narrative exposition. Use your dialogue and action sequences. Write visually. Never use adverbs. Use the right word choice. Make your writing strong and not weak. Don’t use to be! Don’t use said! We tackle some of the most commonly touted writing rules and how they should actually apply rather than some of their more misunderstood applications.
Where do your characters come from? What if you get stuck? How do you create a character when you don’t know what to write about? What about innovating characters? We discuss thinking about what your story needs, working backwards, and thinking who, what, and why in order to invent the best characters for your story.
What caused Leeland’s break from writing? And what is the problem of the allure of the new and different? Why do we struggle to just write the next book in the series? What was the impetus behind Leeland’s return to writing? And what are some tips Leeland has for streamlining your marketing so you can have more time for your writing?
How is ad writing different from your book description? How do you avoid creating ad copy that is all the same? How do you get to a really good ad sentence? And how do you convey genre in one sentence?
Why is description so important? And why should we focus on it, both in our first draft, and the subsequent ones? How does writing in a flow state change your ability to describe as you draft? How can you revise in description? And when should you step away from your draft in order to craft it? In the end, don’t let lack of description stop forward momentum. You can, and should, fix it later!
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
