What is subtext? And why is it important? Why is it so tricky to work on, or define? What effect does subtext have on the reader? We dive into an example and then talk about the ways we think you can learn how to write better subtext.
How do you keep a story going over a long series without tiring out characters and readers? Is this limited to a single genre? What ways can you use innovation, and plot elements to keep the reader engaged?
How do you keep readers from skipping point of view chapters? What if you have to cut a point of view out of your story? And how do you switch from your narrator to your character’s point of view? This week we take some time to answer some questions that have popped up in our Facebook group. If you have a question, make sure to join us there and ask away!
How soon is too soon to talk about something like the Coronavirus in our fiction? And how is the emotional impact of everything that is going on affecting everyone? How can we use this situation to benefit our craft? And what is the role of fiction in times like these?
What caused Leeland’s break from writing? And what is the problem of the allure of the new and different? Why do we struggle to just write the next book in the series? What was the impetus behind Leeland’s return to writing? And what are some tips Leeland has for streamlining your marketing so you can have more time for your writing?
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
