What is oral storytelling? And how does one craft a story for oral presentation? Molly McCloy takes us through her process, how she got into oral storytelling in the first place, and how she uses humor to keep her audience engaged. This is part one of our conversation, make sure to come back next week to check out part two, where we dive even deeper into the craft of oral storytelling.
How are we all doing when it comes to the ever-evolving world situation? We chat about our productivity, whether or not we feel we should be speaking into these situations, and how we are handling our inputs versus outputs. In the end, we all agree to just keep writing!
What does in media res mean? And how do you use it appropriately to draw your reader into your story? What happens to the structure of your story if you choose to start in media res? And does it mean your inciting incident has to be off the page?
When should you think about time as a writer? And what can you do with time? We talk about expanding, compression, jumping, and even framing your story with time. It all comes down to being aware and careful with how you use time in your story.
Do we always read like a writer? What happens when we slow down and pay attention to the books we are reading? Does reading like a writer destroy your ability to read for enjoyment? We dig into our current reads and how our reading benefits our writing.
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
