What is agency? And how do you keep your protagonist active? Do coincidences and natural disasters take away character agency? What is they try/fail cycle and what does Alida have against it? What is the difference between a reaction and a response? When should you plan your characters agency? And how do you handle reaction scenes? In the end just ask yourself: “did my character lose a hand?”. If he did, then you have a pretty good chance – he’s active!
Alida discusses two often-used phrases you should avoid. They’re trite, hackneyed, and at this point, cringe-worthy. Watch & take the pledge!
Are endings hard? What makes a good ending, and how do you make it surprising and inevitable? How do you resolve a book differently if it’s a short story, versus a novel, versus a novel in a series? And how can you create that satisfying ending for both you and the reader?
In this week’s Word Essential 60 Second Writing Tip, Alida defines stakes and tension. She explains how they work together to affect both your character and your reader.
What exactly is a subplot? When do you need them? Who should they revolve around? And can they really alleviate the soggy middle syndrome? And please don’t forget your characters have lives too! Don’t make them live entirely in the main plot line.
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
