Taking a look at “What it Means to Be a Man” by Ed Bok Lee, we talk about why Alida picked this story, and what it is really all about. How do you create empathy with your readers when they may have no cultural context for your story? Or even find your subject matter repulsive? How do you choose the right narrator for the story? And what does it really mean to be a man?
Taking a look at “The Birth Will Take Place on a Mutually Acceptable Research Vessel” by Matthew Bailey, we talk about why Kathryn picked this story, and what it is really all about. Why would a man write from the point of view of a pregnant woman? And does the second person work for us? What hooks readers, and how does the author get them to empathize with this uncomfortable narrator? Even with Matt’s hesitation over whether or not he likes the story, we still laugh at the humor and appreciate the twist at the end.
Alida discusses the importance of verisimilitude in your fictional world. She draws an example from Robert Scanlon’s novel, Constellation.
What is pacing? How do you decide the best pace for your story? And how do you achieve that pace? What kind of effect can pacing have for your readers? And why is pacing so different between books and movies? Check out the things we’ve mentioned section to check out those books we talked about – those we loved and even those we didn’t.
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
