How often do you find unlikeable characters? Is there a difference between an unlikeable personality and moral or ethical flaws? What about morally repugnant characters? What kind of arcs do unlikeable characters have? And how do you craft them?
What is LitRPG anyway? Where does all the confusion come from? And how important are those game mechanics? What are some of the genre conventions within LitRPG? And how do you interweave a story in with such a rigid set of game rules? What kind of stories can be a vehicle for LitRPG?
How should you approach world-building in dystopian or post-apocalyptic fiction? What do you do when your science doesn’t hold up? And what do your readers expect? How should you display your world-building on the page? And where are all those balance points?
How do you define Horror, Post-Apocalyptic and Dystopian fiction? What are the differences in genre conventions? How does it prey on the fears of our society? What are the differences between a good and a great book in these genres? And how and where should you innovate?
What is the difference between an inciting incident and a climax? And can you stack large climaxes throughout your story? How do you know what a climactic moment is? Readers expect variety! Climactic moments should be as varies as the characters, subplots and plot points of your story.
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
