Backstory is not merely information about your hero’s past. It must have an immediate, even urgent, bearing on your plot’s present moment to deserve the ink it takes to write it into the story. Live writing workshop-register now.
This week on the Story Works Round Table podcast, Alida, Kathryn, & Robert discuss the ways in which character agency is relevant to the whole of your story and the ways in which how well you handle agency could determine how much readers like your book.
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Do you need a dual POV in a romance novel? How do you distinguish between the POV’s? And how important is that internal journey in these stories? We talk about the struggles of writing an intimate internal journey from a point of view different from your own, and even get a laugh talking feelings with Robert.
What makes a female protagonist a strong female protagonist? And where does that strength come from? How aware of social and cultural norms should you be when developing a strong female protagonist? And is strength unique to genre?
What is an endnote and why are we talking about it? How is it different from a resolution? Or the end of a scene or chapter? How can you use a “full circle” moment to really make your endnote powerful? And why should you craft it before you even get to the end of your story?
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
