What is a fatal flaw? And how can you develop one for your character? How should the fatal flaw be resolved through your book or series? And how can you keep your characters irrational behavior believable to your readers? Remember that a stories endpoint and a flaws true resolution doesn’t have to be the same thing. Now dig deep into your characters past and find that fatal flaw!
What is Act 2 and why do writers struggle with it? How should you plot Act 2 and what questions should you ask yourself in each and every scene? How do you use subplots and supporting characters to flesh out Act 2? Remember you are writing from the inciting incident to the beginning of Act 3, not all the way to the climax. And that turning point into your climax should be awesome. Act 2 is not going to look great at the end of your first draft, it’s all about weaving in details, subplots, and revelations. Just make sure it gets the attention that it deserves!
What is agency? How does it work in your story? And what does it look like? When is your plot driving your character, rather than your character driving the plot? How can you diagnose agency issues? And how can you maintain that agency all the way through your climax, even with a cast of characters?
What is story structure? And do you need to know everything about it before you write? How should you story fit and where is there wiggle room? What is the difference between an opening hook and an inciting incident? And how important is that midpoint? Remember that you can always innovate your story, but the basics of structure will be there.
What is nicey-nice? How can you use character flaws and irrational reactions to combat it? As a writer we need to remember to push boundaries, silence that inner critic, and steer clear of writing our own reactions into our character. So how do you fix a section that is too nice? And how can you use character reactions to build tension into your story? Make your characters reactions messy and their relationships imperfect and you’ll be on your way to writing characters that keep the reader engaged!
What are stakes? And how does your characters agency interact with them? How do you make your stakes personal and individual for your character? And how can you use your stakes to evaluate your plot structure? How should the stakes change through the story? And how do the stakes affect your characters actions? Remember, your characters agency must be the thing that drives your story forward!
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
