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Show, don’t tell! Don’t think, feel, and wonder your way through a manuscript. Dig deep! Use that narrative exposition. Use your dialogue and action sequences. Write visually. Never use adverbs. Use the right word choice. Make your writing strong and not weak. Don’t use to be! Don’t use said! We tackle some of the most commonly touted writing rules and how they should actually apply rather than some of their more misunderstood applications.read more
How often do you find unlikeable characters? Is there a difference between an unlikeable personality and moral or ethical flaws? What about morally repugnant characters? What kind of arcs do unlikeable characters have? And how do you craft them?read more
We welcome special guest, Micah Joel, back to the Round Table to talk about the writing life. No matter who we are, we've probably dealt with anxiety and depression at some point in our writing lives. Whether we're talking clinical or "normal" stress and overwhelm,...read more
What is LitRPG anyway? Where does all the confusion come from? And how important are those game mechanics? What are some of the genre conventions within LitRPG? And how do you interweave a story in with such a rigid set of game rules? What kind of stories can be a vehicle for LitRPG?read more
How should you approach world-building in dystopian or post-apocalyptic fiction? What do you do when your science doesn’t hold up? And what do your readers expect? How should you display your world-building on the page? And where are all those balance points?read more
Does world building or character development paralyze your first drafts? How should you address this in pre-writing? How do you identify whether or not something is integral to your story? When it is, how do you make sure you get it right? And how should you approach research?read more
How do you define Horror, Post-Apocalyptic and Dystopian fiction? What are the differences in genre conventions? How does it prey on the fears of our society? What are the differences between a good and a great book in these genres? And how and where should you innovate?read more
What is the difference between an inciting incident and a climax? And can you stack large climaxes throughout your story? How do you know what a climactic moment is? Readers expect variety! Climactic moments should be as varies as the characters, subplots and plot points of your story.read more
Are you supporting characters always supportive? How can you use character conflicts and relationships to up the stakes and tension in your work? Don’t forget: no one exists in a vacuum! And characters are defined by how they interact with others!read more
What is the actual definition of a trope? And how should you use one? Why do we conflate it with so many other things? And how can you use them artistically without falling into cliche’s or heavy handed writing?read more
About the Hosts
Alida Winternheimer is the author of The Skoghall Mystery Series, A Stone’s Throw, and The Story Works Guide to Writing Fiction Series. She further pursues her fervor for all things story as a writing coach and developmental editor. She lives in Minneapolis, Minnesota with her Golden Retriever, Seva the Wonder Dog. She camps, bikes, and kayaks in her free time. Unless it’s winter, in which case she drinks chai by the fire. You can find more at www.wordessential.com/about.
Kathryn Arnold writes fantasy and anything else that sparks her creativity from her home in Kingston, Washington. She currently earns her living as an insurance underwriting assistant, where she also creates marketing and web copy. When not writing, she plays (and teaches) piano and keyboard in a band (or two), and is working on starting a ministry team with her husband. You can find Kathryn at www.skyfirewords.com.
Robert Scanlon was born in Australia, but whisked off to England when only a baby. After many years complaining about the weather, he did the sensible thing and moved back to Australia. Despite a career in the music industry, followed by decades teaching public speaking, Robert is an introvert who adores reading. Robert grew up on a diet of sci-fi masters, eventually discovering he had read the library’s entire science fiction section. Now he has to write his own. Robert is the author of Constellation, book one of the Blood Empire space opera series. Find out more at www.RobertScanlon.com
Former co-host, Matt Herron, was a member of SWRT from episode 1 through episode 17.
Matt is the author of The Auriga Project, a scifi thriller, Scrivener Superpowers, a how-to book for writers, and the forthcoming Tales of the Republic, a serialized novel set in a specualtive future. He also founded the Indie Author Society, an organization that offers community and support for indie authors. When he’s not bending words to his will, Matt likes to climb mountains, throw a frisbee for his Boxer mutt, Elsa, and travel to expand his mind. Learn more about him and his books at www.mgherron.com.