SWRT 026 | Writing Villains

Is writing villains easy? How can you develop a villain without a point of view? Is a villain always seen as evil? How can you get into your villains head? Can we effectively troubleshoot our own villains? And what about writing them with a point of view? So take your villain, give them a good shave and a motivation and get writing!

SWRT 025 | Re-readable Books

Should all authors aspire to write a re-readable book? Does it have to be re-readable in order to be enjoyable? What can we learn from books we have re-read? We talk about reasons we re-read books, get deep into a food analogy, and leave you with a large list of our favorites we hope you enjoy!

SWRT 024 | Twists

What is a twist and how do you separate it from your typical surprising ending? Do all twists have to be massive plot level revelations? And is a twist just a gimmick? Should all books have twists? And at what point in your story should your twist arrive? Finally – we discuss how all stories can have twists and challenge everyone to write one of their own!

SWRT 023 | 3D Villains

What makes a good villain? How do you avoid cliches? How do you effectively layer your villains? And how do you use villains in different genres? Can you have an ideal as a villain? And what about those villains we don’t vanquish by the end of the book? Don’t forget that your villainy must be tangible to your protagonist and relatable to your reader!

SWRT 022 | Inspiration

What is a high concept idea? And do you need one in order to write? Should you build your story around your theme or let it emerge through your story? And what about writing to genre conventions? We talk about what inspires us, how to write in and out of the box, and shut down that voice of resistance in your head!

SWRT 021 | Distinct Characters

How do you know if you have created a distinct character? How important is role? And what is a supporting character anyway? How do motivation and subplot work toward giving your characters individuality? And what sort of tools can you use to help create these individuals? In the end Alida wraps it all up together, and even gives some great exercises to help you create distinct characters.

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