SWRT 174 | Balance Tipping Points
In this week’s Story Works Round Table, Alida, Robert, and Kathryn talk about too much of a good thing. When do you tip the balance from just enough, to too much or too little?
SWRT 173 | Character Agency in Memoir
How has Molly’s arc evolved over the course of her storytelling? And how does she craft agency into her own story? How many ways has she had to approach the same topics? And is it okay to leave the actual abuse off the page in an abuse narrative?
SWRT 172 | Characters in Memoir
Why did Molly choose to write a memoir? When and how did her writing journey evolve from oral storytelling to MFA, to memoir? How do you turn your family into characters? And how important is it that they stay well rounded? We dive into antagonists, aliases, and the tricky line to walk when using your real life in your writing.
SWRT 171 | Misunderstood Storycraft Rules
Show, don’t tell! Don’t think, feel, and wonder your way through a manuscript. Dig deep! Use that narrative exposition. Use your dialogue and action sequences. Write visually. Never use adverbs. Use the right word choice. Make your writing strong and not weak. Don’t use to be! Don’t use said! We tackle some of the most commonly touted writing rules and how they should actually apply rather than some of their more misunderstood applications.
SWRT 170 | The Art of Oral Storytelling part 2
How do you come up with material for oral stories? How do you keep it under five minutes? How important is the hook? Or the ending? And how do you craft humor into your stories?
SWRT 169 | Oral Storytelling with Molly McCloy part 1
What is oral storytelling? And how does one craft a story for oral presentation? Molly McCloy takes us through her process, how she got into oral storytelling in the first place, and how she uses humor to keep her audience engaged. This is part one of our conversation, make sure to come back next week to check out part two, where we dive even deeper into the craft of oral storytelling.
I'm Alida
I help people express their gifts to the world.
I do not believe in formulas. I believe that the stories we are compelled to tell the world make demands on us, and it is our privilege to meet those demands in order to reach the most people in the most authentic and compelling way possible.
